Vox creator Estelle Caswell appeals mainly to credibility and logic to claim that more songs should continue to use the fade out instead of letting it die out. Caswell features information from writer Bill Weir and Berklee professor Susan Rogers to explain the origins and inner workings of the fade out. The fade out originated in 1918 with Gustav Holst's the Planets. The final movement, Neptune, originally ended by someone slowly closing the door on the choir. This effect later grew in popularity with the evolution of sound recording and radio music. Studies have shown that this effect in pop music makes listeners want to tap along to the song eve after it's ending, aiding in giving it closure and letting it "live" after its ending. There isn't much that seems to specifically appeal to pathos, but the intonation of the speaker's voice and the inclusions of familiar music and fun background music keeps the video interesting. With these points, Estelle supports her claim well, convincing the audience that the fade should stay in pop. Caswell presents the argument admirably, and her point resonates well, almost like a fade out.
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AuthorMy name is Kobe Lester, and I want to see what makes Vox news appealing. Tell me any points that you have and I will look for them in other videos by Vox news. Archives
February 2018
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